List of bibliographic references indexed by Thomas Tallis
Number of relevant bibliographic references: 72.
[0-50] [
0 - 20][
0 - 50][
50-70]
Ident. | Authors (with country if any) | Title |
---|
000005 (2012) |
Kirsten Gibson | The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres |
000006 (2012) |
Yael Sela Teichler | My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England |
000010 (2011) |
Arthur F. Marotti ; Steven W. May | Two Lost Ballads of the Armada Thanksgiving Celebration [with texts and illustration] |
000032 (2010) |
Jeremy L. Smith [États-Unis] | ‘Unlawful song’: Byrd, the Babington plot and the Paget choir |
000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
000037 (2010) |
Stephen Rice | National treasures |
000040 (2010) |
| Index For 2010 |
000042 (2010) |
| Abstracts |
000046 (2009) |
Julia D. Staykova [Canada] | The Augustinian Soliloquies of an Early Modern Reader: A Stylistic Relation of Shakespeare's Hamlet? |
000048 (2009) |
Majel Connery [États-Unis] | Peter Maxwell Davies' Worst Nightmare: Staging the Unsacred in the Operas Taverner and Resurrection |
000053 (2009) |
Julian Grimshaw | Fuga in early Byrd |
000054 (2009) |
C. V. R. Blacker ; David Pinto | Desperately seeking William: portraits of the Lawes brothers in context |
000058 (2009) |
| Annual Index |
000059 (2009) |
| Abstracts |
000078 (2008) |
Suzanne Cole [Australie] | Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England |
000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
000094 (2007) |
Alexandra Williams [Australie] | ‘Bonnie Sweet Recorder’: some issues arising from Arnold Dolmetsch's early English recorder performances |
000108 (2007) |
| Abstracts |
000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
000137 (2005) |
Ivan Moody | Visions of the Middle Ages |
000147 (2005) |
Lucy Robinson | Phantasms sweet |
000159 (2005) |
| Annual Index |
000170 (2004) |
Malcolm Rose | The history and significance of the Lodewijk Theewes claviorgan |
000179 (2003) |
Mike Smith | ‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses |
000196 (2003) |
David Paisey | German Book Fair Catalogues |
000199 (2002) |
Roger Lee [Royaume-Uni] | ‘Nice maps, shame about the theory’? Thinking geographically about the economic |
000217 (2001) |
Benjamin Davies | The Historiography of the Reformation, or the reformation of historiography |
000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
000290 (1999) |
Joseph Kerman | A Tallis Mass |
000301 (1998) |
Derek B. Scott | Orientalism and Musical Style |
000305 (1998) |
Judith Blezzard | Church Music in Tudor Times: Compilation and Scribal Practices with Special Reference to a Protestant Manuscript |
000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
000342 (1995) |
Fabrice Fitch | Sacred Renaissance polyphony |
000351 (1995) |
Ian Woodfield | Fantasias, suites and songs |
000352 (1995) |
Leta E. Miller | C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany |
000378 (1993) |
David Mateer | John Taverner, ‘Western Wynde’ Mass; O Splendor Gloriae; Te Deum, Alleluia Veni, Electa Mea, The Sixteen, directed by Harry Christophers Hyperion CDA66507 (rec 1991); John Sheppard, Church Music, Vol. 3, The Sixteen, directed by Harry Christophers, Hyperion CDA66570 (rec 1991); Thomas Weelkes, Cathedral Music. Winchester Cathedral Choir, conducted by David Hill, Hyperion CDA66477 (rec 1991); John Sheppard, Thomas Tallis, William Byrd, Robert White, Compline with Anthems and Motets, Clare College Chapel Choir, Cambridge, directed by Timothy Brown, Gamut Classics GAM CD 531 (rec 1992); Orlando Gibbons, Anthems and Instrumental Music, The Elizabethan Consort, Adrian Lucas (organ), The Choir of St John's College, Cambridge, directed by George Guest Meridian CDE 84226 (issued 1992) |
000379 (1993) |
Margaret Mabbett | In morte di Madonna Laura, Madrigal Cycle after Texts of Petrarca, Huelgas Ensemble, directed by Paul van Nevel, Sony Classical SK 45942 (rec 1990); Italia mia, Musical Imagination of the Renaissance, Huelgas Ensemble, directed by Paul van Nevel, Sony Classical SK 48065 (rec 1991); Italian Renaissance madrigals, The Hilhard Ensemble, EMI Classics CDC 7 54435 2 (rec 1991); Roland de Lassus, Chansons & Moresche, Ensemble Clément Janequin, Harmoma Mundi HMC 901391 (rec 1991); Renaissance music from the courts of Mantua and Ferrara, Circa 1500 Chandos CHAN 0524 (issued 1992) |
000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
000405 (1991) |
David Greer | Manuscript Additions in Early Printed Music |
000415 (1990) |
Richard Rastall | RECORDINGS |
000439 (1988) |
Ian Woodfield | RECORDINGS |
000440 (1988) |
Lionel Sawkins | RECORDINGS |
000444 (1988) |
Nicholas Anderson | RECORDINGS |
000456 (1987) |
David Hansell | RECORDINGS |
000528 (1981) |
Craig Monson | Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources |
000530 (1981) |
John Morehen | THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93 |
000533 (1981) |
Philip Brett | Homage to Taverner in Byrd's masses |
000550 (1980) |
Sandra Corse | Old Music and New in “L'Allegro” and “II Penseroso” |
000562 (1979) |
Mark Steighner | Consorting with Establishing an Early Praetorius: Music Ensemble |
000566 (1978) |
Eleanor Selfridge-Field | Vivaldi's esoteric instruments |
000579 (1978) |
W. L. Brown [Canada] | Lute tablatures |
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